From the Man Booker finalist and bestselling author of We Are All Completely Beside Ourselves comes an epic and intimate novel about the family behind one of the most infamous figures in American history: John Wilkes Booth.
A moving story about the death of William Shakespeare's 11-year-old son Hamnet, and the years leading up to the production of his great play, Hamlet.
In 1982 in a southern city, David and Sarah, two freshmen at a highly competitive performing arts high school, thrive alongside their school peers in a rarified bubble, ambitiously devoting themselves to their studies--to music, to movement, to Shakespeare and, particularly, to classes taught by the magnetic acting teacher Mr. Kingsley. It is here in these halls that David and Sarah fall innocently and powerfully into first love. And also where, as this class of students rises through the ranks of high school, the outside world of family life and economic status, of academic pressure and the future, does not affect them--until it does--in a sudden spiral of events that brings a startling close to the first part of this novel.
Between rehearsals for the school play and managing her divided family, seventeen-year-old Megan meets aspiring playwright Owen Okita, who agrees to help her attract the attention of a cute stagehand in exchange for help writing his new script.
When two teens, one gay and one straight, meet accidentally and discover that they share the same name, their lives become intertwined as one begins dating the other's best friend, who produces a play revealing his relationship with them both.
Best friends Kate Garfield and Anderson Walker share a love of theater and crushes on the same guys, but when one of their long-distance crushes shows up at their school, real feelings might end their friendship.
In this empowering deconstruction of the so-called American Dream, a twelve-year-old Japanese American girl grapples with, and ultimately rises above, the racism and trials of middle school she experiences while chasing her dreams. As the daughter of immigrants who came to America for a better life, Annie Inoue was raised to dream big. And at the start of seventh grade, she's channeling that irrepressible hope into becoming the lead in her school play. So when Annie lands an impressive role in the production of The King and I, she's thrilled ... until she starts to hear grumbles from her mostly white classmates that she only got the part because it's an Asian play with Asian characters. Is this all people see when they see her? Is this the only kind of success they'll let her have -- one that they can tear down or use race to belittle? Disheartened but determined, Annie channels her hurt into a new dream: showing everyone what she's made of.
In 1766, a boy, Billy Marvel, is shipwrecked, rescued, and goes on to found a brilliant family of actors that flourishes in London until 1900--and nearly a century later, Joseph Jervis, runs away from home, seeking refuge with his uncle in London, and is captivated by the Marvel house, with its portraits and ghostly presences.
Callie loves theater. And while she would totally try out for her middle school's production of Moon Over Mississippi, she's a terrible singer. Instead she's the set designer for the stage crew, and this year she's determined to create a set worthy of Broadway on a middle-school budget. But how can she, when she doesn't know much about carpentry, ticket sales are down, and the crew members are having trouble working together? Not to mention the onstage AND offstage drama that occurs once the actors are chosen, and when two cute brothers enter the picture, things get even crazier!
Very short for her age, Julia grows into her sense of self while playing a munchkin in a summer regional theater production of The Wizard of Oz.
Hoping to find his lost brother, Rownie escapes the home of the witch Graba and joins a troupe of goblins who perform in Zombay, a city where humans are forbidden to wear masks and act in plays.
Lola Levine is given a non-speaking part after getting stage fright during her class play audition. She saves the play after a couple of obstacles with the help of her grandmother.
Tameika is excited to audition for the school's Snow White musical, but when she overhears her classmates say she is too tall, chubby, and brown to play Snow White, she questions whether she is right for the part.
When a girl who feels rotten about playing Second Banana in the annual food and nutrition pageant learns that the girl playing First Banana has stage fright, she suggests a solution to both problems.
Kindergartner Alaina is excited about thanking the audience at the end of the second-grade play, but she is overwhelmed by the performance and has to share her enthusiasm, center stage.