For Teens

If it was left to her, Ife Adebola wouldn’t be starting at Nithercott School. Because despite her being in the Urban Achievers scholarship program, her parents can barely afford the tuition. No matter who is trying to be friends with her, like her classmate Bijal, or how much the prestigious boarding school tries to pull her in, Ife is determined not to get caught up in any of it.

But when another student, Malika, begins acting strange, Ife can’t help but wonder if there’s more going on at Nithercott than she realizes. Could there be any truth to the school’s decades-old legend of the Changing
Man? Is there any connection to the missing older brother of her classmate, Ben?

As more questions arise, Ife has no choice but to team up with Ben and Bijal to investigate. But can the trio act quickly enough to uncover who is behind everything, before one—or all—of them is the Changing Man’s next victim?

Harlow Ford has spent her entire life running, caught in her mother’s wake as they flit from town to town, hiding from a presence that Harlow isn’t even sure is real. In each new place, Harlow takes on a new name and personality, and each time they run, she leaves another piece of herself behind.

When Harlow and her mom set off on yet another 3 a.m. escape, they are involved in a car accident that leaves Harlow’s mother fatally wounded. Before she dies, she tells Harlow two things: where to find the key to a safety deposit box and to never stop running. In the box, Harlow finds thirty grand in cash, life insurance documents, and several fake IDs for both herself and her mom—an on-the-run essentials kit. But Harlow also finds a photograph of her mom as a teenager with two other girls, the deed to a house in a town she’s never heard of, and a handful of newspaper clippings discussing the disappearance of a woman named Eve Kennedy, Harlow’s grandmother…relics of a part of Harlow’s life she never knew existed.

With these tantalizing clues about her mother’s secrets and the power to choose her own future for the first time, Harlow realizes she has two choices: keep fleeing her mom’s ghosts or face down the nebulous threat that’s been hanging over her for her entire life.

Ian Gray isn't supposed to have a dog, but a lot of things that shouldn't happen end up happening anyway. And Gather, Ian's adopted pup, is good company now that Ian has to quit the basketball team, find a job, and take care of his mom as she tries to overcome her opioid addiction. Despite the obstacles thrown their way, Ian is determined to keep his family afloat no matter what it takes. And for a little while, things are looking up: Ian makes friends, and his fondness for the outdoors and for fixing things lands him work helping neighbors. But an unforeseen tragedy results in Ian and his dog taking off on the run, trying to evade a future that would mean leaving their house and their land. Even if the community comes together to help him, would Ian and Gather have a home to return to?

Soma Kear's verses have gone viral. Trouble is, she didn't exactly think her slam poetry video through. All she knew was that her rhymes were urgent. On fire. An expression of where she was, and that place...was a hot mess.

Following her Ba's deportation back to Cambodia, everything's changed. Her Ma is away trying to help Ba adjust to his new life, and her older sister has taken charge with a new authoritarian tone. Meanwhile, Soma's trending video pushes her to ask if it's time to level up. With her school's spoken word contest looming, Soma must decide: Is she brave enough to put herself out there? To publicly reveal her fears of Ba not returning? To admit that things may never be the same?

With every line she spits, Soma searches for a way to make sense of the world around her. The answers are at the mic.

Regent Academy has a long and storied history in Winslow, Vermont, as does the forest that surrounds it. The school is known for molding teens into leaders, but its history is far more nefarious.

Seventeen-year-old Douglas Jones wants nothing to do with Regent's king-making; he's just trying to survive. But then a student is murdered and, for some reason, by the next day no one remembers him having ever existed, except for Douglas and the groundskeeper's son, Everett Everley. In his determination to uncover the truth, Douglas awakens a horror hidden within the forest, unearthing secrets that have been buried for centuries. A vengeful creature wants blood as payment for a debt more than 300 years in the making--or it will swallow all of Winslow in darkness.

And for the first time in his life, Douglas might have a chance to grasp the one thing he's always felt was missing: power. But if he's not careful, he will find out that power has a tendency to corrupt absolutely everything.

Evan Taft has plans. Take a gap year in Alaska, make sure his little brother and single mother are taken care of, and continue therapy to process his father's departure. But after his mom’s unexpected diagnosis, as Evan’s plans begin to fade, he hears something: a song no one else can hear, the voice of a mysterious singer . . .

Shosh Bell has dreams. A high school theater legend, she’s headed to performing arts college in LA, a star on the rise. But when a drunk driver takes her sister’s life, that star fades to black. All that remains is a void—and a soft voice singing in her ear . . .

Over it all, transcending time and space, a celestial bird brings strangers together: from an escaped murderer in 19th century Paris, to a Norwegian kosmonaut in low-earth orbit, something is happening that began long ago, and will long outlast Evan and Shosh. With lyrical prose and original songs (written and recorded by the author), I LOVED YOU IN ANOTHER LIFE explores the history of love, and how some souls are meant for each other—yesterday, today, forever.

Forced to flee for their lives after an explosive confrontation with a depraved killer, Selenae novice Catrin and brilliant criminal profiler Simon arrive in the sprawling city of Londunium, hoping for a fresh start and an opportunity for Catrin to hone her newfound magic. To avoid raising suspicion, they pretend to be a married couple, but don’t expect to keep up the ruse for long. Until a ruthless council of magical leaders at the local Selenae university discover Catrin's forbidden “marriage” to an outsider and threaten to erase Simon’s memories to protect their secrets.

Terrified to lose each other, Catrin and Simon take desperate steps to keep him safe, like playing the parts of husband and wife for longer than they had anticipated. But when a string of mutilated bodies turns up in the woods outside the city, and Simon is recruited to profile the killer, Catrin is pulled back into a world of murder, mayhem, and magic . . .

 

No one survived the party at the penthouse. Except Athan.

Athanasios "Athan" Bakirtzis has made it far in life relying on his charm and good looks, even securing an invitation to a mysterious penthouse soiree for New York City's artsy elite. But when he sneaks off to the bathroom, he hears a slam, followed by a scream. Athan peers outside, only to be pushed back in by a boy his age. The boy gravely tells him not to open the door, then closes Athan in.

Outside the door, the party descends into chaos. Through hours of howls, laughter, and sobs, Athan stays hidden. When he finally emerges, he discovers a massacre where the corpses appear to have arranged themselves into a disturbingly elegant sculpture--and Athan's mysterious savior is nowhere to be found. Athan--the only known survivor--is now the primary suspect.

In a race to prove his innocence, Athan is swept up in a supernatural mystery, one of secret occult societies and deadly eldritch horrors with rather distinctive taste. Something evil is waking up in the walls of New York City, and it's compelling victims toward violence, chaos, and self-destruction. Bound to him by a mysterious hereditary power, Athan has felt this evil hiding behind his reflection his entire life, watching him. Waiting. Now, it's taking over.

After Eliza’s home in Houston is destroyed by Hurricane Harvey, she is forced to transfer to Southwest High School. Traumatized by the floods and anxious in her new surroundings, Eliza throws herself into environmental activism, even if it's against the wishes of her Big Oil dad.

But when she meets Javi – a boy who has experienced climate-related trauma of his own – she's finally able to connect with someone over the devastating mental effects of ecological disaster.

Vera was made for vengeance.

Lithuania, 1943. A father drowns in the all-consuming grief of a daughter killed by the Nazis. He can't bring Chaya back from the dead, but he can use kishuf -- an ancient and profane magic -- to create a golem in her image. A Nazi killer, to avenge her death.

When Vera awakens, she can feel her violent purpose thrumming within her. But she can also feel glimpses of a human life lived, of stolen kisses amidst the tragedy, and of a grisly death. And when she meets Akiva, she recognizes the boy with soft lips that gave warm kisses. But these memories aren't hers, and Vera doesn't know if she gets--or deserves--to have a life beyond what she was made for.

Vera's strength feels limitless--until she learns that there are others who would channel kishuf for means far less noble than avenging a daughter's death. As she confronts the very basest of humanity, Vera will need more than what her creator gave her: Not just a reason to fight, but a reason to live.
 

They say Léon Delafosse will be France's next great pianist. But despite his being the youngest student ever accepted into the prestigious Paris Conservatory, there's no way an impoverished musician can make his way in 1890s Paris without an outside patron.

Young gossip columnist Marcel Proust takes Léon under his wing, and the boys game their way through an extravagant new world. When the larger-than-life Count Robert de Montesquiou-Fézensac offers his patronage, Léon's dreams are made real. But the closer he gets to becoming France's next great thing, the further he strays from his old country life he shared with his family and his best friend Félix . . . a boy he might love.

With each choice Léon makes, he must navigate a fine line between two worlds--or risk losing them both.

Cara Tang doesn't want to be haunted.

Look, the dead have issues, and Cara has enough of her own. Her overbearing mother insists she be the "perfect" Chinese American daughter--which means suppressing her ghost-speaking powers--and she keeps getting into fights with Zacharias Coleson, the local golden boy whose smirk makes her want to set things on fire.

Then she stumbles across Zach's dead body in the woods. He's even more infuriating as a ghost, but Cara's the only one who can see him--and save him.

Agreeing to resurrect him puts her at odds with her mother, draws her into a dangerous liminal world of monsters and magic--and worse, leaves her stuck with Zach. Yet as she and Zach grow closer, forced to depend on each other to survive, Cara finds the most terrifying thing is that she might not hate him so much after all.

Maybe this is why her mother warned her about ghosts.

When Mariella Morse accuses her boyfriend, Vik Gomez, of murdering her wealthy parents with an axe, the town is quick to believe her. It doesn’t help that Vik is caught standing over her parents’ bodies with blood on his hands, unable to remember anything about the night in question.

But Vik’s sister, Tessa, knows that Vik would never be capable of such a gruesome crime. Haunted by the mistakes she made that led her family to move to Fall River, MA in the first place, she sets out to prove her brother’s innocence.

Tessa’s search for answers will lead her into a sprawling, notoriously cursed forest, where she and Mariella must face a darkness that has lurked within their town since before the days of Lizzie Borden—the original axe murderess of Fall River.

Wilhelmina Price has a dubious reputation in the village of Thrush’s Green. Ever since her mother’s untimely death, she has been able to see a person’s spirit leaving their body days or hours before they die. Wil has never been able to prevent these deaths, so her unusual skill has made her an outsider to most except her lifelong friend, Edison, the youngest son of Lord Summerfield. But when a maid at the Summerfield’s estate dies in the same mysterious way as Wil’s own mother, Wil takes on a housemaid’s position to investigate whether these women might, in fact, have been murdered.

There is nothing Ed Summerfield values more than his friendship with Wil, which is why he’s desperate to disguise how hopelessly in love with her he’s become—and his belief that he may be haunted by the ghost of his older brother, Peter. Because if Wil, with her supernatural powers, can’t see the same evidence of hauntings that Ed does, he worries he may actually be losing his mind.

Together, Wil and Ed must dig deeper into the Summerfields’ hoard of secrets, though the truth won’t give itself up without a fight that could prove deadly to the both of them, as they face cunning adversaries among the living and the dead.

Frederieke Teitler and her older sister, Astra, live in a house, in a city, in a world divided. Their father ran out on them when Rieke was only six, leaving their mother a wreck and their grandfather as their only stable family. He's done his best to provide for them and shield them from antisemitism, but now, seven years later, being a Jew has become increasingly dangerous, even in their beloved home of Czernowitz, long considered a safe haven for Jewish people. And when Astra falls in love and starts pulling away from her, Rieke wonders if there's anything in her life she can count on--and, if so, if she has the power to hold on to it.

Then--war breaks out in Europe. First the Russians, then the Germans, invade Czernowitz. Almost overnight, Rieke and Astra's world changes, and every day becomes a struggle: to keep their grandfather's business, to keep their home, to keep their lives. Rieke has long known that she exists in a world defined by those who have power and those who do not, and as those powers close in around her, she must decide whether holding on to her life might mean letting go of everything that has ever mattered to her--and if that's a choice she will even have the chance to make.