Having survived a profoundly dysfunctional upbringing only to find herself hospitalized and facing a dual diagnosis of post traumatic stress disorder and bipolar II disorder, Terese Marie Mailhot is given a notebook and begins to write her way out of trauma. The triumphant result is Heart Berries, a memorial for Mailhot's mother, a social worker and activist who had a thing for prisoners; a story of reconciliation with her father―an abusive drunk and a brilliant artist―who was murdered under mysterious circumstances; and an elegy on how difficult it is to love someone while dragging the long shadows of shame.

Lonely Charles Latterly arrives at his small hotel hoping that the island’s blue skies and gentle breezes will brighten his spirits. Unfortunately, there’s no holiday cheer to be found among his fellow guests, who include a pompous novelist, a stuffy colonel, a dangerously ill-matched married couple, and an ailing old man. The one charming exception is orphaned teenager Candace Finbar, who takes Charles under her wing and introduces him to the island’s beauty. But the tranquility of the holiday is swiftly disrupted by a violent quarrel, an unpleasant gentleman’s shocking claims of being stalked, and the ominous stirrings of the local volcano. Then events take an even darker turn: A body is found, and Charles quickly realizes that the killer must be among the group of guests.

Moscow has resurrected the mammoth. But someone must teach them how to be mammoths, or they are doomed to die out again. Dr. Damira Khismatullina, an expert in elephant behavior, was brutally murdered trying to defend the world's last elephants from the brutal ivory trade. Now, her digitized consciousness has been downloaded into the mind of a mammoth. As the herd's new matriarch, can Damira help fend off poachers long enough for the species to take hold? Or will her own ghosts, and Moscow's real reason for bringing the mammoth back, doom them to a new extinction?

On the evening of March 9th, 1566, David Rizzio, the private secretary of Mary, Queen of Scots, was brutally murdered. Dragged from the chamber of the heavily pregnant Mary, Rizzio was stabbed fifty six times by a party of assassins. This breathtakingly tense novella dramatises the events that led up to that night, telling the infamous story as it has never been told before.

In this witty and necessary new book, artist Grayson Perry trains his keen eye on the world of men to ask, what sort of man would make the world a better place? What would happen if we rethought the macho, outdated version of manhood, and embraced a different ideal? In the current atmosphere of bullying, intolerance and misogyny, demonstrated in the recent Trump versus Clinton presidential campaign, The Descent of Man is a timely and essential addition to current conversations around gender. 

Twenty-five hundred years ago, Sun Tzu wrote this classic book of military strategy based on Chinese warfare and military thought. Since that time, all levels of military have used the teaching on Sun Tzu to warfare and cilivzation have adapted these teachings for use in politics, business and everyday life. The Art of War is a book which should be used to gain advantage of opponents in the boardroom and battlefield alike.

Valeria Luiselli's extended essay on her volunteer work translating for child immigrants confronts with compassion and honesty the problem of the North American refugee crisis. Appealing to the language of the United States' fraught immigration policy, Luiselli exposes the cracks in this foundation. Herself an immigrant, she highlights the human cost of its brokenness, as well as the hope that it (rather than walls) might be rebuilt.

In this short novella, Dave Eggers gives us an unforgettable duo, Helen and Peter Mahoney, a homebody niece and her adventurous, almost-British uncle. Helen designs invitations to parties and galas to which she is not welcome, and is quite comfortable with that. One day, though, Peter wonders, "Why not print an extra invite and I'll be your plus one?" What starts out as an innocuous lark becomes much more -- a very funny and lyrical referendum on why humans congregate and celebrate, and the pros and cons of leaving the house at all.

Ashley Smith, an American art student in London for her junior year, was planning on spending Christmas alone, but a last-minute invitation from fellow student Emma Chapman brings her to Starvewood Hall, country residence of the Chapman family. She is mesmerized by the cozy, firelit house, the large family, and the charming village of Clevemoor, but also by Adam Chapman, Emma's aloof and handsome brother. But Adam is being investigated by the local police over the recent brutal slaying of a girl from the village, and there is a mysterious stranger who haunts the woodland path between Starvewood Hall and the local pub. Ashley begins to wonder what kind of story she is actually inhabiting. 

Like his father and grandfather before him, Kino is a poor diver, gathering pearls from the gulf beds that once brought great wealth to the Kings of Spain and now provide Kino, Juana, and their infant son with meager subsistence. Then, on a day like any other, Kino emerges from the sea with a pearl as large as a sea gull's egg, as "perfect as the moon." With the pearl comes hope, the promise of comfort and of security.

When aimless twenty-something Mara lands a job as the night-shift production assistant on her cousin’s ghost hunting/home makeover reality TV show Haunt Sweet Home, she quickly determines her new role will require a healthy attitude toward duplicity. But as she hides fog machines in the woods and improvises scares to spook new homeowners, a series of unnerving incidents on set and a creepy new coworker force Mara to confront whether the person she's truly been deceiving and hiding from all along—is herself.

A fifteen-year-old teenager is the backbone of her small Midwestern family, budgeting the household finances and raising her younger brother while her mom, a talented artist, weaves beautiful tapestries. Yet when her mom brings home a six-foot tall crane with a menacing air, the girl is powerless to prevent her mom letting the intruder into her heart, and her children’s lives. Utterly enchanted and numb to his sharp edges, her mom abandons the world around her to weave the masterpiece the crane demands.

Ada Lamarr may have gotten to the spaceship wreck first, but looter’s rights won’t get her far when she’s got a hole in the side of her ship and her spacesuit is almost out of air. Fortunately for her, help arrives in the form of a government salvage crew. But Rian White, the government agent in charge, starts to suspect that there’s more to Ada than meets the eye. He’s not wrong—but he’s so pretty that Ada is perfectly happy to keep him paying attention to her—at least until she can complete the job she was sent to pull off. But as quick as Ada is, Rian might be quicker—and she may not be entirely sure who’s manipulating whom until it’s too late.

At once a powerful evocation of James Baldwin's early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document from the iconic author of If Beale Street Could Talk and Go Tell It on the Mountain. It consists of two "letters," written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. 
 

In this personal, eloquently-argued essay—adapted from the much-admired TEDx talk of the same name—Chimamanda Ngozi Adichie offers readers a unique definition of feminism for the twenty-first century. Drawing extensively on her own experiences and her deep understanding of the often masked realities of sexual politics, here is one remarkable author’s exploration of what it means to be a woman now—and an of-the-moment rallying cry for why we should all be feminists.